Creator of Human Form, White purity, Cures illness and deformities.
Messenger of the Orisha, Holder of Ashe (pover) among the Orisha, he is prime negotiator between negative and positive forces in body, enforces the “law of being”. Helps to enhance the power of herbs.
Orisha of Iron, he expands, he is divinity of clearing paths, specifically in respect to blockages or interruption of the flow vital energy at various points in the body. he is the liberator.
Mother of Waters, Sexuality, Primal Waters, Nurturer. She is the amniotic fluid in the womb of the pregnant woman, as well as, the breasts which nurture. She is the protective energies of the feminine force.
Sensuality, Beauty, Gracefulness, she symbolizes clarity and flowing motion, she has power to heal with cool water, she is also the divinity of fertility and feminine essence, Women appeal to her for child-bearing and for the alleviation of female disorders, she is fond of babies and is sought if a baby becomes ill, she is known for her love of honey.
Kingly, Virility, Masculinity, Fire, Lightning, Stones, Protector/ warrior, Magnetism, he possesses the ability to transform base substance into that which is pure and valuable.
Tempest, Guardian of the Cemetery, Winds of Change, Storms, Progression, she is usually in the company of her counterpart Shango, she is the deity of rebirth as things must die so that new beginnings arise.
One day Eshu heard that king Metolofi had come into possession of a goat with four eyes; two situated on top of it’s head and two others at the back. Presenting this beast to his people, the king proclaimed that this amazing goat would be able to watch all of the people all of the time. The goat would watch what everyone was doing, and if anyone disobeyed the king or broke the kings laws – the goat would immediately report the event back to the king. Thus, king Metolofi would become revered as the bringer of perfect justice to his realm.
Now Eshu became very indignant at this. He found it unacceptable that anyone should know all of his actions, all of the time – even the king! So, Eshu declared loudly that he would be able to act freely, without any fear of the goat reporting his actions. Eshu had a plan.
Eshu found the spirit Ifa, and made a sacrafice of a hat and four different colored pieces of cloth. Ifa proceeded to remodel the hat and make it into a head covering with four faces; each one a different color. Ifa then equipped Eshu with this head covering and sent him on his way.
Now, wearing the head covering, Eshu found the kings number one wife traveling on the road between the temple and the palace and assaulted her with rude and ribald comments; even throwing horse dung onto her dress. Many people had seen this exchange and were shocked that anyone would be so bold and foolish to assault the kings number one wife, and in public!
The goat saw the exchange and immediately reported it to the king, but could only say that the assailant was wearing a red head covering. The king then called together all of the people who had seen the deed and asked them to report on who had done this – but they each described a different colored head covering. Some said it was blue, others yellow, others white, and still others agreed with the goat that it had been red. No consensus could be reached.
The crowd began to argue heatedly with one another. Those that saw one color called the others liars and traitors. Some claimed the others were mad or had been in on the deed and were now trying to cover it up. The arguing became fighting and chaos erupted in the courtyard of the king.
The king then sent his minister to the people to calm them down, and to find out who was behind all of this trouble. While the minister was in the midst of the crowd, Eshu (again disguised in his four colored head covering) took the opportunity to strike down the minister in front of everyone – then slip out before he could be seized.
Again, the goat saw the deed and reported to the king that the minister had been slain, but this time by someone wearing a blue head covering. When the king ordered that the man wearing a blue head covering be brought forward – again the crowds began arguing and fighting bitterly with one another.
“The murderer was not wearing blue! It was red!” cried one observer.
“No you imbecile, it was neither blue nor read; it was yellow!” cried another. And so it went round and round with each believing his own eyes and disbelieving the report of his neighbor.
Finally, Eshu arrived without his disguise on, and called for the king to settle the matter. Surely with such a remarkable goat the solution would be trivial. But, the king could not and was humbled before his people. So he offered the goat up as a sacrifice to Eshu and hid his face away his angry people and regretted his previous boasting.
Five ancient concepts are essential to an understanding of Yoruba aesthetics.
(1) Ase means “power” or “authority”. However, the meaning of Ase is extraordinarily complex. Ase is used in a variety of contexts. One of the most important meanings is the “vital power, the energy, the great strength of all things.” Ase also refers to a divine energy manifest in the process of creation and procreation. Ase invests all things, exists everywhere, and is a source for all creative activity. Again, Ase often refers to the inner power or “life force.” Ase also refers to the “authority” by which one speaks or acts.
(2) Ori is the “inner spiritual head” in humans or “personal destiny,” not mind or soul as these terms are used in the West. But Ori can mean the enabling power that represents the potential that life contains.
(3) Iwa can mean “character” or “essential nature.” Two classifications of usage of Iwa are generally recognized: the ontological-descriptive and the ethical evaluative. The ontological-descriptive meaning enables one to identify the quantitative existence of a person as revealed by their behaviour, the “lifestyle” or manner in which they exist in the world. The ethical-evaluative meaning represents a qualitative judgment of how good or bad is their iwa.
(4) Ewa is an aesthetic term as well as an expression of iwa, a person’s essential nature. Ewa means “beauty”, referring in some contexts to physical beauty of a person or object, but mostly to the qualities of beauty of a person or object. The term can be used to describe how a work of art captures the essential quality of the subject.
(5) Ona means “art” or it can refer to an artist’s ability to create or design. In Yoruba “art” cannot be defined outside of the context of the processes of creation, the purpose of creation, and the skill of the artist in capturing the first two contextualities in order to produce a physical object that embodies meaning.